Way in which I affect environment in a site-specific manner is in and of itself a public performance installation summoned by inhabitance. I observe physical life in terms of belongingness to locality as a human removed from the idea of ownership. Audience are whom archive the surroundings utilizing phylogenic human technology. Demonstrating the deformation of environmental perception as the audience / public adapts to artwork. Practices of exemplary recycling shapes a culture of scarcity promoting desperate conservatism; which expects to form a virtual and physical syllabus to impress, by reduction of uncertainty in subsequent generations, a greater fitness onto the species.