The COFA Annual 2013

My interest lies in the fallible nature of memory, and the equally fallible nature of the photograph. Working primarily across still and moving image, object and installation, my practice is constituted by a number of interventions with the photographic image and traditional photographic processes. Through my work I contemplate notions of permanency and preservation, and aim to investigate the relationship between the photographic process and processes of memory. My work attempts to destabilize the perceived certainty and immutability of the photograph, which in fact, as stated by Roland Barthes, is “…attacked by light, by humidity, it fades, weakens, vanishes…”

• 2012 - COFA Dean's List